All ready for the show this weekend, so I goofed around this afternoon and accidentally made a (near future) self-portrait. Lumps and all.
Gathering/polishing up some of the gang for next weekend. And doing what I can to convince myself there is coherence in my work.
Lines, cane, dust.
Waiting. Waiting for glass (table), waiting for treats (Betty). But Fall has arrived, for a moment.
Over the past four months I would occasionally ask myself, “I wonder where that furniture is? And I wonder if it is intact?” You see, these chairs, a table, a sideboard, a wall cabinet, two stools and a bench (made by @meredithhartfurniture) have been slowly making their way to the other side of the world. Well, word has come through: aside from a couple of dents on the sideboard, they are all safely home in Australia. Now, once they survive a couple of years worth of seasonal changes I’ll begin to relax. Watch out mates, the invasion has begun.
And if it wasn’t obvious: another beautiful shot by @megapixie!
I should probably buy some stock in blue tape. A few pieces in the works for the upcoming #philadelphiafurnitureshow. After that maybe I’ll try to clean up my space.
If it’s a professional photo, you know what it means: I got to spend some time with my favorite sister, @megapixie, in her studio and have a new batch of beautiful photographs on my website (Lincoln Bio). And a heads-up to anyone in the area who is interested in having your family photographed: my Sis has a cool special running this week, check it out through the membership link in her bio (Lincoln Herbio).
After a bunch of veneer work this is pretty cathartic.
Table and mirror (not in their intended orientation).
Though these legs won’t ever be this close in the final piece, I think how their negative spaces relate is still relevant to the whole. Or maybe not, but it looks cool in black and white.
New dog house design.
Little anniversary box on it’s way. A good combo gets better with age.
I’ve had a couple of rather not-too-interesting small projects going on, but have a fun demilune and companion mirror frame coming up. I will sometimes freehand the ellipse for a demilune or I will use a “flexible aspect ratio” compass construction (I have that video way back in my feed), but found this construction and liked it for these projects (I did make a tiny tweak for the demilune though, 🤫). These sorts of constructions are super-cool to me and it’s pretty amazing to think of someone sitting around and just figuring it out. Clearly must have happened before Instagram was invented.
Jatoba + cane = 👌👌
Until it was done I wasn’t 100% sure it was going to work out.
#tbt to the Burk Bed.
It’s easy to focus on the design and making of furniture on the Instagram format, but arguably the most crucial piece of it all is the clients who appreciate and invest in this work. I really believe furniture to be a personal thing; it is always in the background in our homes, the silent supporting cast to our intimate lives. It’s almost hard not to develop a relationship with that table you eat at every day or the bed you fall asleep in at night. So I take it seriously when someone asks me to build something for their home. I want to get it right, on every level. And one important way to do that - at least in my work - is to get to know the people who will be living with it. So my process typically involves a lot of communication. I want to get to know my clients and their tastes to make sure I come up with something that not only fits into their home, but also, hopefully, speaks to them on some personal level. (Which is in part why there is so much variety in the work I put out.) And usually by the time I’m delivering the work I feel like I’m handing it off to a friend, someone for whom I hope my work brings years of quiet enjoyment. I’ve been lucky to have so many amazing clients. Thank you. R.I.P. Mr. Burk.
Incomplete. But close.
Another coat or two of finish, but I couldn’t resist taking a look with the glass. This table (and these clients’ other pieces) fall dead center into my favorite sort of work: I’m given some parameters and a general direction, but there is a lot of freedom and trust within that. It’s what custom work is to me; not changing the wood or dimensions of some piece I’ve already made (though I’m more than happy to do that) but working with the client to create something original, just for them.
I haven’t done one of these in a while (the stop motion that is, I’ve never made a table like this) - as evidenced by the slowly falling camera. This table has been super fun, just a couple things left. Then on to its partner (similar, but entirely different).