A patron was looking for an artful piece to put into a newly renovated space. And, after a couple of conversations, the curious allure of ivy growing over an old building became the seed for this piece. Something architectural, but with an organic aspect. They trusted me and I went for it.

It seemed like the perfect opportunity to explore a technique I’ve been thinking about: inlay that is carved in low relief rather than flushed. The colors and depth of this floral detail overlaid onto the tectonic form provide an engaging juxtaposition that changes with perspective and light.

‍ Cherry, Poplar, Holly, Wenge, Rosewood, Cocobolo, Osage Orange, Bloodwood, Mahogany. Varnish.